“Crosher plays with DuBois’s excessive archive, manipulating, refracting and reflecting on it further, making groupings or multiples. These multiples are considered versions of the excessive. Crosher considers the excessive and asks us to consider it; in this reflection we recognize some form of our own anxiety. It is a meta-reflection of the excessive, a signifier of the infinite, that speaks about anxiety instead of from within its grip.” – Kim Schoen
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