Zoe Crosher is an artist who lives and works in Los Angeles. Her projects mine history both real and manufactured, and concern the schism of documentary—the interstice between the presumption of truth and what that reality actually is. Crosher’s practice engages with this confusion, upending the assumption of truth in documentary, often collapsing fiction and reality. With a particular conceptual aesthetic, playing with misinformation, mis-captioning, rephotography and the archive, she iteratively blurs reality, image, material and disappearance, often in relation to obsolesce and forgotten (mainly female) figures. The resulting ‘Imagiatic’ is an idea she coined to describe work related to image, imaginary, imagene, etc. but is not bound to the photographic. Realized primarily as various types of images and bronzed sculptures, as well as ‘stand-in collaborations’ with other artists and curators, she has most recently been conceptually mapping Los Angeles and the troubled notion of the “West”. She is currently working on a forthcoming book, The Good & The Glamorous: a Memoir of Misremembering, and preparing for a solo exhibition at The Aspen Museum for Winter 2017.
Named a “prominent Los Angeles artist” by The New York Times, Crosher’s work is included in various international, private and museum collections including The Los Angeles County Museum of Art, The Museum of Modern Art, The San Francisco Museum of Modern Art, The Palm Springs Museum, and the Pérez Art Museum Miami. In 2012, she took part in MoMA’s New Photography show, and in 2011 she was a recipient of the prestigious “Art Here and Now Award,” awarded by the LACMA. From 2013-2015, Crosher collaborated with the Los Angeles Nomadic Division (LAND) on The Manifest Destiny Billboard Project, a series she initiated of artist-produced billboards and activations that unfolded all along the Interstate 10 Freeway, for which she received the 2015 Smithsonian Ingenuity of the Year Award. Numerous books have been published on her work, including one released in February 2016 by Hesse Press and a four-volume set by Aperture Ideas in 2011-2012. She is the founder and president of the Los Angeles branch of The Fainting Club and a fellow at the Royal Society of the Arts in London, was Associate/Assistant Editor of the journal Afterall, and has taught at University of California, Los Angeles (UCLA) and Art Center College of Design, Pasadena, CA. Crosher received an MFA from California Institute of Arts (CalArts) in 2001.